thoughts about things, book-related

[jade_sabre]

1. Re: things that disappointed me about Graceling: I think my problem with Katsa's big NO I WON'T GET MARRIED THING is that I could sort of see why she was doing that, in a murky area that was half-in the writing and half-subtext-y. Like, all the examples of marriage that Katsa saw involved the women settling down in a domestic setting and running a household and having babies, all things she's not interested in. So I can understand her not wanting to end up in that situation.

I was thinking about what emmaco said about how many strong female heroines never rule out marriage or children, but are just putting them off, and I was thinking about them (like Alanna, for example), and how it's not only the whole "not interested in that at all" thing but it's also the "haven't met the right man to change their mind" thing, and Katsa falls into that too, because Po changes her mind, at least on the subject of sleeping together.

And in that vein, I think that when she gets older and realizes that she and Po don't have to have a marriage like everyone else's, she'll be more open to the idea. And furthermore, I never got the sense that there was any question that the two of them were heading towards a long-term monogamous relationship, with or without an actual wedding. Which is, in the end, what marriage basically is, if you strip it down. While there's an element of nontraditionalism there--traveling around, occasionally being separated--it's not...that radically different. (And I still maintain that Po agrees to it because he loves Katsa and knows he can only have her on her terms, but I would like to think that eventually they reach a compromise, because I think Po wants kids.) So it's not really that big of a deal, except the book treats it like one.

Now, if you had a couple where both parties had severe commitment phobia and the warrior chick girl neglected to tell the slinky fighter boy she was pregnant and raised her children far away from him because she knew he couldn't handle it, and the guy slept around in an attempt to assure himself that he wasn't REALLY attached to her, and then they hooked back up twenty years later, acknowledging that they couldn't really stand living together but also realizing there wasn't anyone else for either of them, now that might be a little more non-traditional. Just--just an example. A thought.




2. I finished the Dark is Rising sequence by Susan Cooper. One of the things that kept coming to my mind, over and over again, was, "man, philia_fan would love this series, because all the books stand alone on their own!" I know people cite them as examples of series books that get Newberries, but honestly Silver on the Tree is the one that I would say most relies on the others. The Dark is Rising, the Newberry Honor, stands quite firmly and solidly on its own two feet, and The Grey King (Newberry winner) only slightly less so, in that there's a little background information that is helpful to have when reading it. But even the characters appear and are fleshed out on their own terms in each novel. It really is fascinating to read.

Susan Cooper's prose is also wonderfully, indescribably British. I'm not entirely sure why. It just is.

AND NOW I AM HEADING INTO SPOILER-VILLE or at least I will rapidly descend there and SINCE I THINK PEOPLE OUGHT TO READ THESE BOOKS, PERHAPS YOU SHOULD SKIP THIS SECTION IF YOU HAVEN'T.

What I found most interesting about these books was the pattern they followed. While reading Over Sea, Under Stone, I spent a lot of time being TERRIFIED for the Drew children, because they were so young and holy crap, the bad guys are trying to kill them. And yet I never doubted that they would survive and that all would end well. And that feeling continued through each book--while the situations were terrible, and the bad guys very powerful, I never thought that anyone would fail.

And not only do they not fail, they don't really ever mess up, either. Merriman makes a mistake in trusting Hawkin, and loses his chance to enter the Lost Land; other than that, everything goes according to plan. The full rules of everything are never really explained, and most of the time are very, very vague. Limitations pop up on both Dark and Light, or powers are revealed, mentioned in passing. And the clues are rarely something you can deduce with prior knowledge; you have to wait until the right folk story is told or the right circumstances occur, and find out with everyone else. And I never doubted that the stories would appear, because they always did. It was almost utterly predictable; and like I said, I never doubted that everything would turn out perfectly all right, every step of the way.

And yet I kept reading. Because I loved the characters, and because there was something engrossing about this inexorable victory of the Light. Because Cooper described the world so accurately and deftly that I was there, in the cold or the mist on the mountains, or hearing the sea crash against the cliff walls.

The Grey King was definitely the best of the lot, although I think Greenwitch was my favorite. GK combined all of the mythological elements and dark mystery--the heaviness of her writing--with a dash of uniqueness and creativity, and just brought everything together.

As for the ending--well, I am an old friend to the not-quite-happy ending, but still, making them forget everything? I am still a little heartbroken.

I love Jane Drew, another reason Greenwitch is my favorite--it's really her novel, and in a sense, the whole sequence belongs just as much to her as it does to Will. I think their POVs were the most dominant, and their stories--his, as the only child Old One, hers as the only girl (and I love that she and the Lady had that moment, and it saddens me that it was taken from her)--were definitely the ones with the most--the most oomph to them. Bran's story, while important, is told less through his eyes; I think I might have liked to know more of what he was thinking, except not really.

And also, yes, I ended up shipping Will/Jane--the way she instinctively looked to him just made me "aaaaaaaaaaaaaaaaaaaaaaaaaaaaw." And see now I have this theory--and I wonder if Cooper had it in mind--that Bran and Will and Jane make up their own little Arthurian triangle--Bran's the Pendragon [always Arthur's son, whether or not he remembers], and Will is his right-hand man, and Jane is "Jenny"--and Bran is the one who calls her Jenny. Except that Will, as the Old One, has the strength and fortitude not to fall and bring Jane down with him, and so it all turns out all right--the last bit of the Arthurian story, fitting together the last bit of the Light that Arthur missed.

AND YET THIS SADDENS ME BECAUSE WILL/JANE, I SHIP IT SO HARD. And they're like thirteen. (Will/Lyra happened at that age, is it wrong to dream?) But at the same time it's impossible, but at the same time--

also, ff.net is, last I checked, depressingly lacking in this sort of Arthurian parallel fanfic. WHY FANFIC WRITERS OF THE WORLD. WHY.

So in short, read this series, if not in the least to observe how curiously different it is while somehow managing to be very much the same.

And this is a long post, and I wrote it instead of doing my Zutara Week contribution for the day, so I think I will save movie-related musings for another post.

Another friend of mine is taking the GRE tomorrow, so please send good vibes her way, too!

Love and sweet dreams,
Jade